The Lanterns of Dan-yr-Ogof on Halloween

On Halloween night, when the world wore a cloak of mist and the caverns of Dan y Ogof whispered with ancient secrets, a goblin named Gril, a dwarf named Thoren, and a dragon named Emberth awoke from their long, stony slumber. Dan y Ogof, the Ogof Caves, stretched underground like a sleeping beast. Torch-lit passages curled into black mouths, and the air smelled of coal, damp earth, and something sweeter that no map could name. It was here, in a deep amphitheatre carved by rivers of time, which the trio found themselves drawn to a rumour carried by the echoes: a pot of imaginary gold.

Gril the goblin scampered first, quick as a spark among wet stones. His eyes, pale and mischievous, watched the walls for pockets of air where the cave might hum a tune only goblins could hear. He wore a hat pitched too far back on his head, a patchwork coat that never kept out the chill, and a grin that suggested a clever plan for any situation so long as that situation involved mischief. Thoren the dwarf followed, his beard braided with tiny bells that tinkled with each careful step. He carried a pickaxe that glittered with runes and a lantern that burned with a blue flame, steady as a heartbeat. Thoren was a keeper of things: maps, stones, stories, and the stubborn certainty that every problem has a creatable solution, even one as slippery as a ghost’s whisper.

Emberth the dragon did not fly here for gold or glory. Dragons in this region learned not to crave the glitter of coins but the quiet of ancient places where silence was a treasure too heavy to carry. Emberth’s scales sang soft emeralds and coal, and his breath smelled faintly of pine sap and old parchment. He had come to listen, to hear the cave tell its story, as dragons often did when their kind wandered far from the roar of mountains.
As they descended, the cave opened like a mouth that remembered names. Stalactites hung from above, each a slender reminder of a long-forgotten calving of rock. Stalagmites rose like patient guardians, and the floor bore a river’s memory, a dry bed that kept the scent of the water that once carved the world.

“A pot of imaginary gold,” Gril announced with a bow that nearly toppled him, “is the finest sort of treasure to chase on a night like this. If you catch it, you own nothing and everything at once.”

Thoren grunted, a sound half amusement, half caution.

“Imaginary or not, we must be clever enough to find the place first, and stubborn enough to leave before the cave decides we are not welcome.” He tapped the pick on his boots, a rhythm that felt like a heartbeat inside the earth.

Emberth lifted his head, listening. The cave, old as stars and patient as a dragon’s memory, offered a slow, rolling murmur, like distant thunder wrapped in velvet. “If the gold exists here,” the dragon said, “it will reveal itself as a story rather than a coin. We must learn the cave’s tale to claim our prize.”

They pressed deeper, following a corridor that breathed in a wave-like pattern, as if the rock itself exhaled and inhaled with a step. The air grew cool, and the walls glowed faintly with mineral sheen, as though the cave wore a lullaby in its minerals. At the heart of the cavern, the trio arrived at a vast chamber, a theatre of stone. In the center stood a pedestal, and upon it rested a pot, not of metal or clay, but of glassy darkness that reflected the three travellers more clearly than any mirror could. Inside the pot shimmered nothingness, a void that hummed with potential, the imaginary gold that Gril had described, a gold that could become any worth you imagined, yet would vanish the moment you held it too tightly.

Gril leaned in, eyes glittering. “The pot is a trap for want,” he whispered. “It feeds on the hunger for more, turning desire into a loop.”

Thoren scanned the chamber, tapping the floor with his pick. “If we are meant to claim it, the cave will test us with a riddle or a challenge that reveals our true intent.”

Emberth circled the pot, wings folding with a soft sigh. “To hold it is to acknowledge that you can never own what you cannot truly see. Imaginary gold is a moral more than a treasure.”

They stood before the pot, the moment stretching, a thread pulled tight between old legends and the present. The cave seemed to lean closer, listening as if the walls themselves had opinions about goblins, dwarves, and dragons who walked in search of something that was not a thing but a choice.

Gril spoke first, his voice a spark flickering to life. “We came for something that doesn’t rust or rot, something that can be shared in stories and kept in memory. If we take it, we must be careful not to let it turn us into what we fear most: those who forget the world outside their desires.”

Thoren added, “Sometimes the best treasure is the wisdom to know when to leave well enough alone. If the pot contains imaginary gold, perhaps the real treasure is the companionship we’ve found along the way.”

Emberth nodded, scales gleaming. “Then our choice is not to possess but to protect: this cave, this moment, and the promise to tell its tale.”

The pot trembled as if a heartbeat passed through it, then settled, losing a shade of darkness. A voice, soft and ancient, drifted from the stone itself: “The true gold is the light you carry when you walk back into the world. Take your memory, not your want, and return with gratitude.”

The three friends exchanged glances, a pact formed in quiet understanding. They stepped back, letting the pot’s glow halo the chamber with a gentle warmth. Gril bowed low, Thoren touched the walls with reverence, and Emberth exhaled a thread of smoke that spiralled into the air like a blessing. When they finally turned to leave, the cave seemed to exhale in relief, as though it had held its breath for centuries and released it in a sigh of gratitude. The lantern’s blue flame flickered in approval, and the echo of their footsteps became a musical note, guiding them back toward the world above. As they emerged from the cave’s mouth, Halloween night stretched out like a black velvet curtain dotted with distant stars. The goblin grinned with the satisfaction of a plan well played, the dwarf’s shoulders settled in newfound ease, and the dragon’s eyes reflected a sky that promised stories enough to fill many lifetimes. They carried with them no pot, no coins, no chests of gold, only a memory of a chamber where desire was tempered by wisdom, and a choice that would outlast any treasure. And in the quiet between heartbeats, the tale of Gril, Thoren, and Emberth drifted into the wind, a legend that would be told again whenever the Halloween moon rose over Dan y Ogof. 

The Bench Beneath the Moon – A Story for Halloween

The Park, a sprawling mouth of shadows, swallowed the last yawns of daylight as a chill crept along the grass. Leaves skittered like frightened promises across the benches, and a solitary streetlamp flickered with the stubborn glow of a tired lighthouse in fog. It was Halloween, all the way from the first orange of dusk to the final graveyard hush of midnight, but tonight the park wore its spookiness with a slow, almost reverent patience. In the oldest corner, where trees bent like old storytellers, stood a park bench weathered by more conversations than the town library cared to admit. Its wood bore the quilted marks of a hundred seasons, and two iron arms were etched with the names of picnics that had never forgotten the taste of summer. It looked as ordinary as a seat can look when it has learned to listen.

From the creak of those iron joints rose a sigh, a breath of something long unspent. The bench shuddered, not with fear but with memory, and then like a page turning in a book left out in the rain something began to unthread itself from the wood beneath the seat. It wasn’t a ghost in the blustering, streaking sense; it was more precise, more patient: a skeleton, radiant in a pale, glimmering fear, stepping from the bench as if the bench itself was a cocoon. The bones wore a suit of dust and old dusk, a cloak of autumn’s last sighs. The skull tilted, the jaw creaked, and a rough, cheerful voice once bright, now hollow whistled from it. The skeleton glanced around, ears long since retired in the flesh, listening for sound remembered from a century ago: the soft chime of a bell on a bicycle, faraway laughter of a child, clink of a glass toasting the night.

“Do you hear it?” it questioned, though no one stood near to hear except the rustle of leaves and the shy tremor of a distant crow. The skeleton’s eye sockets glowed with pale blue light, not anger but insistence, a beacon in the half-light. It stood upon the bench’s edge as if on a tightrope between two lives, between then and now. It wasn’t hunting fear or chasing a haunting. It was seeking something gentler: a memory to finish, a farewell to grant, a name that could finally be spoken aloud without tremor. For years, decades perhaps, connections had frayed around the town’s Halloween festival. The living would come with lanterns and laughter, and the dead would drift with the wind, collecting the crumbs of the day’s happiness.

But this particular night, a thread tugged the skeleton toward the living world: a letter, long misplaced, written by a girl who had grown up and learned to forget the names she used to call her neighbours. The letter, tucked in a desk drawer of a house long since gone quiet, spoke of a promise to return, to tell a story that would bind the living and the dead in a single breath. The skeleton found the bench because it was the last place the girl, now a grown woman, sat with her grandmother on the night of her tenth birthday. The grandmother whispered a ritual in her ear, one that promised that on Halloween, the veil between the worlds would open just enough for a small truth to cross.

So the skeleton waited, patient as a librarian who knows every overdue book by heart. It listened for the creak of a distant gate, the soft sigh of a bicycle tyre, the whisper of a name spoken in the dark. And when the woman finally arrived, lantern in hand and pockets full of memories, the corridor between then and now widened. The skeleton stepped forward, not to frighten but to answer.

“Is it you?” the woman asked, voice tremulous yet steady.

“I am you, once,” the skeleton replied, its voice a wind through dry leaves. “And you, perhaps, are me, once more, if we tell the story true.”

It spoke the name they had promised to remember together, and with that, the park exhaled a quiet sigh of relief. The bench, no longer merely wood and iron, settled back into its old, patient seat, and the night hummed with the soft glow of restored promises.

Why now? Because Halloween is the hour when endings learn to breathe again, and beginnings, too, are given a chance to stand in the light and be remembered.

OUT NOW – The Mysterious Cases of Inspector Septimus Summer-Garden written by Lazarus Carpenter & Illustrated by Gill Brooks Volume 1 & 2

It is with great pleasure and some excitement I announce the release of Volume 2 of my Inspector Septimus Summer-Garden books for children and young adults. Both books are available on Amazon as paperback and Kindle for immediate download and reading, and from my online shop here on my website.

Extract from The Missing Kangaroo

In the quaint village of Willow, in the suburbs of the city where the most
exciting event was the annual pie-eating contest, lived Inspector Septimus
Summer-Garden. Known for his peculiar name and even more peculiar methods,
Septimus was a detective whose heart was as big as his head was round. Despite
his earnest efforts, he often found himself tangled in more confusion than clues.
One bright Monday morning, the village awoke to startling news: Mr. Harold
Hoppington, the eccentric zoo keeper, had reported that his prized kangaroo, Joey,
had vanished without a trace. Joey was not just any kangaroo; he was a celebrity
in Willow, known for his cheerful hops and a penchant for wearing tiny bow ties.
The village folk gathered nervously as Inspector Summer-Garden arrived at
the zoo, tripping over his own feet in the process.
“Ah, yes, the case of the missing kangaroo,” he mumbled, adjusting his
oversized hat. “Fear not, citizens! I shall hop right to it.”
First, Septimus examined Joey’s enclosure. The door was securely locked,
and there were no signs of forced entry. He squinted at the ground, noticing a trail
of tiny footprints leading away from the enclosure.
“Aha! Small footprints,” he exclaimed, pointing dramatically. “This suggests…
a very tiny kangaroo, or perhaps… a very big mouse!”
Mrs. Hoppington sighed.
“Inspector, Joey is quite large. Those footprints are tiny.”
Septimus nodded solemnly.

“Indeed, ma’am. Or perhaps a clever thief with tiny shoes! Or… an invisible
kangaroo!”
Just then, a faint rustling sound came from behind a nearby bush. Septimus
tiptoed over, slipping on a stray banana peel and landing flat on his back. From the
bushes, a small, fuzzy creature emerged wearing a miniature bow tie, no less.
It was Joey! The kangaroo was hopping happily, seemingly unbothered.
Septimus scrambled to his feet.
“Well, would you look at that? Our missing marsupial was hiding all along!”
Harold Hoppington rushed over, eyes sparkling with relief.
“Joey! You’re safe! But… how did he get out?”
Septimus pondered this as he scratched his head.
“It appears Joey is quite the escape artist. Or perhaps he simply wanted a bit
of adventure. Whatever the case, the mystery is solved!”
The townsfolk cheered as Joey was returned to his enclosure, wearing his
favourite tiny bow tie with pride. Inspector Summer-Garden, ever the bumbling
hero, tipped his hat. “Another case closed, with a hop and a skip!”
And from that day on, the villagers never underestimated the quirky detective,
though they did occasionally remind him to watch his step especially around
banana peels.

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LOVE KNOWS NO END – ELIZABETH HAMILTON PYLYPIW – BOOK REVIEW

LOVE KNOWS NO END by Elizabeth Hamilton Pylypiw is a delightful book of verse dedicated to her son Kris, who sadly passed away suddenly from natural causes a decade ago. One hundred and thirteen poems of beauty speaking to the grief and loss of a beloved son invite the reader, to join Elizabeth on a helter-skelter of emotion and moreover, a journey of deep everlasting love. The book is beautifully illustrated with images and memories of the life Kris lived.

‘Sometimes in our lives something happens that turns our world upside down. It’s the loss of a child. A grief like no other and life as we knew it, is never the same again.’

Just over a year after her son Kris, passed to spirit, Elizabeth began writing poetry depicting many aspects of Kris’s life. For her, this was a talent she never knew existed. Writing such powerful verse is in itself most carthartic. Kris was only thirty-two when the wings of death embraced him, a short life but as Elizabeth’s words tell us, a life well lived. The beauty inherent within her prose is a clear testament to the range of emotions a parent may face with the loss of a child.

The prose is very easy to relate to especially when considering the emotive subject of grief and loss. Grief is a very personal emotion but in this beautiful book we find many themes relatable to all.

‘Spirituality comes in may forms, places and deeds. My spiritual faith and knowledge have been an immense insight for staying positive’

I strongly recommend this book for any parent facing the grief and loss of losing a child, therapists and anyone interested in the subject of bereavement.

‘Interview with Elizabeth Hamilton Pylypiw in Conversation with Lazarus Carpenter’ (Recorded for Book at Bedtime – Tales from Wales, Oystermouth Radio)

Available on Amazon https://amzn.eu/d/ewI6fdy

Paperback 12.50 – Kindle 9.99

Proceeds of book sales are donated to MIND

Lazarus Carpenter