Once upon a time in the Land of Nothing lived a very small something who even though it was nowhere thought it was indeed somewhere. Did everything that it thought it did ……. do? Or given that it was really nowhere at all did it actually do anything at all? But voices that were not there in this place that did not exist, spoke of issues to the contrary which plunged it into an unknown never experienced or even considered before dilemma.
Was it or was it not…. did it or did it not….. would it or would it not…… could it or could it not…. or was it all a dream? But dream it did. It dreamt of a creation of something from nothing …….within the invisible hands of nothing ……..through dreams from nowhere and thus creation began….. or did it? It dreamt of creation…. and from nothing thought of a cosmos….. of universes…. and of planets…. and moons…. and suns. It dreamt of air… and fire…. and water… and within the substance of one planet… the earth It brought life into being.
And from the depths Its waters….. Its air met Its fire …… and the earth moved with a force that echoed throughout the nothingness…. of everything that It existed within. The land of what was once nothing was becoming alive with vibrations of something…. from somewhere… and something or nothing must be done ….. as It continued to dream.
A pulsating reality of a dreaming living earth….. but It thought the earth seemed empty and alone. So It dreamt of a sun to bring light and day…. and a moon to bring dark and night. Thus the dreams and thoughts of night and day…. light and darkness… were born. It dreamt of cosmic creation….. from nowhere to somewhere…… and back to nothing again. But It somehow knew that thought is, was, and will always be all that is. It also somehow knew that from thought came form and that all form was, is, and always will be alive and breathing within everything of what is really nothing or so It dreamt.
It created the universal family from dreams… emanating from nowhere….. and all the dreams to come would be a part of that which is all that is. Nothing could deny that It had hit on something from nowhere ….. but where would It end?
It saw the beauty of creation….. as the dream of life was born upon the earth. It was indeed pleased with the visions from somewhere….. within the constraints of nowhere and as It dreamt…. so it became. From where the visions were thought……. the mists of time were born.
It began to dream of life in so many different forms. As the dream blossomed life began throughout the earth….. within the depths of the seas….. and the breadths of her skies. But all of this was just a dream that It was creating…. a living dream where everything is connected…… breathing living form upon…. within…. and without all that is. It was pleased… but from the heart of the hand of nothing came others who were not there with thoughts of form and as It had dreamt this…. so it would be.
It wondered if all that is was complete and dreamt of being in form itself…. through a thought. It thought of creation from and through the very connectivity of everything… that will always be…. thought forth woman in its likeness. As It looked on the dreams…… all was good….. but how would the dream continue? So it gave the form balance and thought into creation….. dreaming man.
And the rest is the history that dreams are made of……..
In a town tucked between dusty hills and a river that forgot how to hurry, there lived a man named Simon Crowe. He was tall, polite, with the most striking head anyone had ever seen. It was round and expansive, like a harvest moon perched atop a frame that was seldom thick enough to support it. The townsfolk often whispered that his head contained a map to every library, every logic problem, and every grand idea the world had ever known. What they forgot to whisper aloud was that the head came with a burden: it made everyday life feel like a stage play in which Simon Crowe was always overacting. Simon worked as a clerk at the town brokerage, a job that required patience, manners, and a certain deftness of mind to balance figures and promises. He wore a tailored suit, kept his papers crisp, and spoke with a cadence that suggested he had read every book in every library and remembered them all. Yet despite his outward polish, people found him a touch awkward in small moments, the way he tilted his head when listening, the pause before answering, the sudden leaps of analogy that sent conversations tumbling into a chorus of ideas no one asked for. His head, massive and attentive, seemed always to be in front of him, scanning possibilities, schemes, and grand plans. He would humbly present a modest proposal to improve the town’s ledger, and by the time he finished, the proposal had hatched wings and a dozen sequels. The station in life he occupied felt to him like a small room with a ceiling that never rose high enough to fit the expanse of his thoughts. The clerks below him smiled, the magistrates above him frowned, and the people around him never quite knew how to place the gravity of his mind within the walls of their ordinary days. Simon Crowe’s head-long ambitions often collided with the stubborn, stubborn ground of reality. He would devise a scheme to build a cooperative bakery that would feed the town and keep the workers of the mill from starving. He would draft policies to equalize opportunities, to ensure that even the quietest child might one day speak aloud in a courtyard meeting. He would sketch models of civic life where strangers could become neighbours through shared work and shared bread. And then, as the sun moved across the sky, those schemes would settle like a chorus of pigeons, bobbing on a rooftop and finally fluttering away when someone coughed and the moment passed. This repetitive rhythm, the grand idea, the careful plan, the quiet disappointment, began to weigh on him. Yet Simon remained courteous, keeping his head high, perhaps too high, so that when a friendly neighbour asked how the day had gone, he could answer with a confident, practiced smile.
One autumn, a festival arrived that would test every man’s weathered nerves and dreams. The village’s mayor announced a contest: a contest of civic devotion. Each participant would present a plan to improve life in the village, and the best plan would be funded, celebrated, and housed in the annals of the village for a year. The prize was not merely money, but the sense that one’s name would be spoken gently in the same breath as the town’s most cherished deeds. Simon Crowe entered with a plan that would, on the page, transform the town into a beacon of cooperative life. He spoke of a central market that would be both exchange and classroom, where the mill workers, farmers, bakers, and teachers could trade, learn, and produce together. He outlined a curriculum of public duties, where every citizen would rotate as steward of a day’s labour of cleaning streets, tending gardens, caring for the elderly, and teaching children the simple arithmetic of fairness: how to count what you owe, what you owe others, and what you owe to your own better angels. When he spoke, his head seemed to grow heavier with meaning, as if the very weight of his dreams pressed down on the crown. The crowd listened, half enthralled, half anxious. For in his plan lay a future that would demand every citizen be willing to lift more weight than they had ever carried before. The old shopkeepers squinted, the younger children pressed closer to the front, and the mayor’s eyes widened with the dawning recognition that the plan might reshape every ordinary afternoon. The Day of Judgment arrived. The judge, an elderly woman with a ledger of small, precise judgments read through the proposals as if they were weather patterns. When she reached Simon’s plan, she paused. She looked at him not with the admiration he hoped for, but with the candid, practical scepticism of someone who had watched dreams slip through fingers like sand. “Mr. Crowe,” she began, not cruelly, but with the certainty of the sea, “your plan is noble and generous, and your head is, I’ll admit, unusually large for a clerk. But a plan is not a crown you wear on a stool; it is a bridge you build with your neighbours, step by step, with their hands in yours. Help us see how this bridge begins. Show us the first stone.” The room hushed. Simon Crowe had never needed to justify the first stone more than he needed oxygen to breathe. He stammered, then found himself listening to the quiet breath of the crowd, the rhythm of ordinary courage, the patience of those who carry the day-to-day loads. He realised, with a strange, almost blinding clarity, that his big ideas required not a reaction of awe from others, but a careful, shared ascent. In that moment, a rude awakening cracked his polished surface. Not a blow to his head, not a fall, but the soft, nagging truth that his strength was not alone in the mind. It lay in the hands of many people who would work with him, carry with him, and sometimes carry him when the weight was simply too much. The head that had felt too big for the station began to feel not too big, but simply big enough to ask for help, to listen, to learn the slow art of building something lasting. After the festival, Simon did not abandon his grand dreams. He revised them, not to shrink them, but to make them practical for others to hold. He turned his mark into a public meeting bench, a place where people could sit and discuss the town’s future, shoulder-to-shoulder, rather than shoulder-to-head. Weeks turned into months, and the cooperative market, the baby of his plan started with a single stall that offered bread baked by a grandmother who had never trusted a mixer in her life, beside a child who learned to count coins with the help of a kindly shopkeeper. The market grew not because Simon shouted louder, but because neighbours began to share the weight of the load. They brought their own stones to lay on the bridge, one by one.
And so, the man whose head had once threatened to outsize his station found a new measure of dignity, not in the size of his ideas alone, but in the size of his listening, the breadth of his patience, and the willingness to admit that the first stone is hard to place unless someone hands you a spirit of cooperation. From that day onward, Simon Crowe’s head did not shrink, nor did his ambitions wane. Instead, it learned to tilt in gentle partnership, and his ideas walked beside others as living, growing things. The town, in turn, learned to imagine not a hero who could lift the sky by sheer intellect, but a community that could lift itself by lifting each other. And in this shared ascent, the station that had once mocked with quiet cruelty the man’s tall thoughts was replaced by a station of the heart, the place where big minds and shared hands meet, and where a rude awakening becomes the quiet dawn of a common life.
In a city of dust and reeds, where the Tigris sighed its ancient songs, there lived a man named Zachariah. The people spoke in the cadence of clay tablets, and the walls of bricks breathed with the memory of gods and kings. Zachariah was not mighty in the way of warriors, nor clever in the way of scribes, but he carried within him the stubborn flame of a man who would not surrender to time. He was born under a pale blue crescent, when the river level rose and the city seemed to dream. His childhood was measured in the hum of rare winds through the ziggurat staircases and the clink of copper tools in the workshop of a jeweller who traded memories for coins. He learned to read the stars in the way one learns a language, slowly, by listening to the night until the letters arranged themselves in patterns. As years unfurled, his life stretched beyond the ordinary span of men. He survived famine and flood, earthquake and plague, days when the sun burned like a forge and days when the rain fell in a single, patient thread. He watched rulers rise and fall, and the city’s prayers shift their focus from temple to temple, from one god to another, until the names grew a little old on the tongue and the people spoke of their faith as if it were a map with a few extra lines pencilled in. Yet Zachariah’s longevity was not a blessing that saved him from suffering; it was a burden that braided itself into every sorrow that crossed his path. The phrase “a thousand deaths” haunted him the way a fever haunts a body felt not in one moment but in the repetition of many small, intimate partings. He did not die in one grand catastrophe; he died in a thousand strands of life that unravelled and then wove themselves shut again. He buried a wife who sang as if she could coax barley from stone, and after her death the city’s songs lost their sweetness for a season. He watched friends grow old and then fade, their memories slipping like clay slipping from a potter’s hands. He endured days when the temple bells called for mercy and days when the gods seemed distant as stars behind a veil of smoke. He stood at the edge of a city wall and felt the fear of armies, then returned to a quiet room where his breath steadied and the lamp kept its stubborn, tiny flame.
In each repetition, Zachariah died a little, not the final death, but a micro-death: a shedding of identity, a loss, a renaming, a letting go. And in every rebirth, he learned something new about himself, about his city, about the world that kept turning despite the weight of memory. If a man lives long enough, he becomes a repository of others’ stories. Zachariah gathered the memories of his city, the taste of date-syrup on a child’s lips, the ache of a mother who lost a son to war, the sudden joy of a bard who found a chorus for a lament. He learned to listen for the hints of fate in the bickering of merchants and the quiet prayers of homebound labourers. The city spoke to him in a dialect of clamour and whisper, and he answered in patient silence. He began to write, not with ink on parchment, but with gestures, with the careful alignment of stones in a low wall to mark a grave, with the quiet brimming of a cup to honour a guest. He kept a hidden ledger of the dead who rose in memory whenever the river rose again, a ledger that housed the names of those who did not survive the long life’s trials. Toward the end of his life if the word “end” can even apply to someone who had learned to linger. Zachariah stood at the very edge of the river. The water carried the city’s reflection like a vessel, and in its surface, he saw the faces of all who had passed: the mother who sang of grain when famine pressed, the child who learned to count by the rhythm of the flood, the king who learned mercy only after tasting loss. In that moment, he understood a paradox haunting him since first breath: to live a thousand lives is to die a thousand times to what you were, and to be reborn a thousand times into what you can become. He did not fear the last death, for it would be the final shedding of the old Zachariah, the one who had learned to love through loss and to endure through ache. The city kept turning after his final breath, as cities do. Temple bells rang in their old, stubborn way, the river sang its patient song, and the sun carved its stair-step light upon the walls. If you wandered to the edge where clay meets water and looked closely, you might imagine Zachariah’s spirit walking among the reeds, tallying the memories like coins in a purse, offering them back to the living as stories that never truly end. For in a life that endured a thousand deaths, what remains is not merely the memory of pain but the quiet, enduring gift of having lived so fully that even death must pause to listen to the echo of a life well spent.
The forest wore a quiet, indifferent kind of twilight as if the trees themselves were listening to the distant thunder of rain that would never come. A man named Liaso trudged along a narrow, forgotten path, his boots sinking into moss and fallen needles. He set out at dawn to find the last of the old orchard’s apples, brave enough to risk a storm that never arrived, foolish enough to trust his own stubborn pace. Hours bled into hours, and the sky darkened with the patience of waiting wolves. Liaso’s breath came in shallow puffs, his bottle of water growing lighter with every swallow. He knew the land: the way the ferns curled like fingers along the creek, the way the pines leaned their shoulders toward the hill, the way the world narrowed as if to test a man’s resolve. Then the wind shifted.
A sound, a low rolling rumble seemingly coming from the bones of the earth rose from the thicket. It wasn’t fearsome, but attentive, as if the forest itself leaned closer to listen. From behind a drift of bracken stepped a big grey wolf. Not a hunter’s shadow but a creature with eyes that held the cold clear light of a winter morning and a coat that seemed to drink the last colours from the world. Liaso steadied himself. He had read things in books, heard the old men speak in hushed tones about wolves as omens or protectors. He could not tell which this wolf would be, and he did not want to find out the hard way. The wolf did not advance with snarls or teeth bared. It paused, then lowered its head and studied Liaso with unblinking, silver-blue eyes. The forest seemed to hold its breath. After a long heartbeat, the wolf turned and walked a steady line toward the path Liaso had followed toward a bend where the trees pressed close and the ground sloped down to a hidden ravine, where the river learned to speak in thunder. Liaso followed, not sure why, except that the animal’s presence pressed the world into a truth he could not deny: he was not as strong as he believed. The wolf moved with the ease of a guardian who knew every root, every hollow, every slip of soil that could swallow a man whole. When they reached the bend, the air grew heavier, and a sudden gust toppled a branch, sending a rain of needles onto Liaso’s shoulder. He slipped, his foot catching on a slick stone he neither saw nor felt. The ravine yawned beneath him, dark and ancient. For a breath, the world shrank to the sound of his own heartbeat and the distant pulse of the river. The wolf did not leap to the rescue. Instead, it stepped closer, a silhouette of careful strength, and placed itself between Liaso and the edge, as if to say, Thus far, you do not go alone. Liaso reached out, his fingers brushing the bark of a tree, feeling the texture of life through rough skin and cold air. Then the wolf crouched, inviting him to step onto the mossy, firm earth on the other side of danger. With a courage that trembled like a flame in wind, Liaso found purchase on a ledge of rock, then pulled himself up and away from the ravine’s hungry mouth. He breathed air that tasted of pine and rain and something older than fear. The wolf stood for a moment longer, checking the path, as if ensuring there was no hidden trap, no careless slip waiting to claim a tired traveller. When Liaso finally looked back, the wolf had vanished into the trees as if it had never been, leaving only the memory of keen eyes and a quiet, steady presence. In the space where it stood, the world revealed a softer truth: the forest did not hate him, nor did it owe him safety. It simply offered a partnership, a mutual promise that when the edge of despair appeared, there might be a being willing to meet it with calm, quiet strength.
Night thickened around the forest, but Liaso did not feel alone. He walked the rest of the way with a new lightness in his step, not because the danger had disappeared, but because he carried a memory of guardianship he hadn’t known he needed. The path back to the village wound through silvered trees and the distant murmur of a river that had learned to forgive the world many times over. When the lights of the village finally blinked on, Liaso stood at the door to his modest home, breath fogging in the cold. He pressed a palm to his chest and felt the heartbeat he had almost forgotten, steady and true. He did not tell many people about the wolf, some stories are meant to be kept between the living and the land that shelters them. But in the quiet hours, when the wind moved like a whispered conversation through the eaves, he would hear the memory of those eyes, two points of ancient blue and know he had been saved not merely by a creature of fur and fang, but by a reminder: that survival is rarely a solitary act, and protection often arrives wearing the most unexpected skin.
On the edge of a quiet town, where the river curled like a sleeping cat and the wind spoke in whispers through the elm leaves, lived a man named Elias. He carried a satchel of problems, each one heavy enough to bend his shoulders a touch lower with every passing day. He didn’t mean to hoard them, but they fit snugly in the space where his breath once lived, and he kept them close like an improvised shield against the world. His problems were not loud or dramatic in the way a storm is dramatic. They were the sort that gnawed at the corners of his mornings: a debt he hadn’t spoken aloud, a letter unsent, a promise broken to a friend, the memory of a mistake that wouldn’t stop replaying in his mind. He tried to solve them in fragments, here and there, as if solving a puzzle one missing edge at a time would eventually reveal a doorway out. But the edges didn’t align, and every attempt only widened the ache. Elias worked at the town’s small bakery, a place where the air always smelled faintly of sugar and yeast, and the clock above the doorway ticked with a stubborn patience. He kneaded dough with the same careful seriousness he used for his thoughts, measuring warmth, time, and hope in equal parts. People came and went, each with their own little arithmetic of troubles, and he listened with the practiced quiet of someone who had learned to mute their own weather to hear others more clearly. One autumn morning, when the first frost glinted on the hedges and the world wore a pale blue certainty, a letter arrived that did not belong to any routine. It bore the seal of a distant place, the sender a name Elias had not spoken aloud since he was a boy. The letter was simple in its gravity: a notice that a loan must be repaid by a date that would not wait, a reminder that consequences do not negotiate with intention. It was a stone in a pocket, a weight that pressed upward against the lungs with every breath. That evening, the bakery filled with the ordinary music of customers, the clink of cups, and the soft, tired sighs of the day winding down. Elias stood at the counter, counting coins in a way that made the metal feel like a fragile chorus line. He read the letter again, then again, and again, as if the repetition might conjure a path through the shadows that crowded his thoughts. He did not speak of it to his co-workers, not wanting to burden them with a gravity they could not fix, but inside, the problem grew teeth and began to gnaw with a routine seriousness. The next morning brought no relief. If the past had learned to hide in corners, it now stood boldly in the doorway and asked for an audience. The debt he owed was no longer merely a number; it was a trapdoor in the floor of his life, a possibility of ruin that felt almost ceremonial in its inevitability. He walked the town with a hollow courage, greeting neighbours with smiles that did not quite reach his eyes. He fed pigeons in the square and listened to their soft, uncertain chatter as if the birds might offer a script for a life unscarred by consequences. People began to notice that Elias carried something heavier than usual, something that made him pause where he used to stride, that made him listen to the rustle of the trees as if the wind might give him a solution. A woman named Mara, who owned the bookshop and kept a window seat for readers who needed a reminder of the world beyond their troubles, watched him one afternoon and asked if everything was all right. Elias found himself telling Mara the truth he had avoided for so long, but only in the soft, provisional way that keeps a part of you safe: not all of it, not all at once. He spoke of the debt, of the fear of losing his small home, of promises broken to friends who deserved better. He spoke with a tremor in his voice, the tremor of a man peering into a room he had darkened by stubborn denial for years. Mara listened, not to fix him, but to stand near him as he faced the doorway he had been avoiding. She handed him a book she kept on the counter an old anthology of stories about endings and beginnings, about how sometimes a life can only be reset when the heart accepts a hard truth.
“Some doors don’t unlock with effort,” she said gently, “but they can be opened with a decision.”
That night, Elias did something he had not done in a long time: he sat with the problem until it did not look like a burden but a map. He wrote letters he had long avoided writing apologies to old friends, statements of intention to repay, a plan to seek help where help existed. He contacted a counsellor for financial guidance, spoke to the loan officer with a steadier voice than he felt, and began to see steps that could be taken, no matter how small they seemed. The weekend brought a quiet clarity. The debt remained, the consequences remained, but the air around him began to shift, as if winter’s edge could dim enough for him to breathe with less fear. He realized that the core of his problem was not the debt or the broken promises alone; it was the idea that bearing them in secret made him stronger. In truth, hidden burdens grow louder the longer they go unspoken. The louder they grow, the more they resemble a wall between a person and any chance of relief. There came a morning when the sun rose with a patient confidence, and Elias woke with a decision that felt both simple and monumental: he would let go of the need to control every outcome. He could not erase the past, but he could choose how to move forward. He would face the consequences, not as a condemned man, but as someone who finally agreed to carry his share and seek help where needed.
The days after that decision were not easy. There were moments of doubt, days when the weight returned, and nights when worry pressed into his chest like a stubborn knot. Yet each breath felt a little lighter, as if the air itself remembered how to move without resistance. He learned to apologize when apologies were due, to ask for patience when he needed it, and to hold onto the truth that some problems require more time than one man’s stubborn resolve can provide. In time, the bakery’s rhythm shifted. The place that once bore the weight of a single man’s unspoken fears began to feel lighter to the people who filled it with their own stories. Elias found himself listening more than speaking, offering small acts of quiet care sharing a slice of bread with a neighbour in need, helping a co-worker with a task, or simply lending an ear to someone who carried their own satchel of problems. And then came a moment of reckoning not with a debt, but with a choice. A letter arrived that promised a path toward resolution rather than ruin: a proposal for repayment that respected his limits and a plan that offered a future if he agreed to move forward with openness. He did not know if the offer would endure, but for the first time in years, he felt the certainty of a door that could be opened, even if he could not yet see what lay on the other side.
Elias took the step. He did not pretend the road ahead would be painless or quick, but he moved toward it with a new gravity that did not crush him but steadied him. He learned to live with uncertainty without letting it own him. And in a town where the river kept its secrets beneath the surface, he found a simple truth: the day you have no choice but to move forward is the day you finally learn how to let go of the burden you were never meant to carry alone. The problems did not vanish as if by magic, but they began to lose their power to immobilize. They shrank to their true size, manageable and transient, like shadows that recede when the sun climbs higher. Elias kept walking, one careful step after another, toward a life where the weight of the past would still be a part of him but no longer the full measure of him. And in that balance between accountability and hope, between error and effort, he discovered a kind of freedom he had never imagined: not the absence of trouble, but the courage to face it, honestly and finally, because he chose not to pretend that he could endure it forever.
Lazarus Carpenter - Author 